The first efímera magazine issue reviews the work of the artist Daniel Álvarez Ospina and his relationship with the city of Medellin. Based on different routes, he asks how to build a discourse that speaks of diverse daily and political tensions within a territory. What is the popular when it is inhabited precisely inside that enunciation? What about the documentary? How can we define a photographic work that, in appearance, moves away from traditional street photography conventions? These are some of the questions raised by these 120 pages that make up this hybrid of serial publication and artist's book.